Showing posts with label money. Show all posts
Showing posts with label money. Show all posts

Thursday, September 20, 2012

Dream Tenant

On October 3, 2011, I fictionalised myself because I thought it would help me make sense:

"The short, fat, smelly landlady had never had a stranger tenant. The girl went to work and came back, she paid her rent on time, she was always polite and spoke in an old accent the landlady had only heard in her childhood. Lately the girl had stopped going out. She still paid her rent on time, but sometimes the landlady could hear her crying in her room. In the middle of the day when all the other girls were out at work or at school. The landlady didn't know but the girl would cry at night too, but on the terrace where she wouldn't disturb her roommate. That strange foreign tenant in that room. Not really foreign, the girl was Indian but had never lived in India. Until now. Now she cried, she howled locked up in that room. She talked to herself sometimes. The landlady once thought she heard the girl say, "what is real?" between sobs, but she couldn't be sure. What kind of a person talks like that anyway, it made no sense.

The girl had first started asking that question 5 years ago. "What is real?" she had asked her mother, but her mother had not understood the question. "Amma, tell me what is real?" They were in America then, the girl had been a success - American degrees, an American job, a green card on the way. An American accent, an American attitude, American dollars in the American bank. But lately, it had all started seeming unreal. The popcorn at the theater had started tasting chalky, her mascara had stopped helping her once sparkly eyes pop. She'd started realising that every hot, young, new Hollywood starlet had fake lips and fake breasts. She'd tried so many things, but before long they'd run out. They weren't real. The female role models on TV weren't real, all the makeup she had bought wasn't real, her beautiful apartment that no one visited wasn't real. One day she realised that soon she was going to stop being real too.

What is real, what is real."

Wednesday, September 12, 2012

Life 2012

Title: Compartmentalised

Tuesday, September 11, 2012

Dilli ka Disease

From my diary, dated December 20, 2011:

"I was so belligerent my last 24 hours in Delhi. The bank (SBI) was giving me shit, the PG aunty gave me shit about the deposit, the airline people gave me shit, and I threw a fucking fit. I spent 2 hours at customs waiting for them to clear my stuff, it was yuck. Thank God the shipping guy was reliable. He was very, very dependable. I was like a raging lunatic by the time I boarded my plane. I went to the sleep the minute I sat in my seat."

Thursday, September 6, 2012

A Conversation with the Man at the Museum

"I'm taking a panorama photo, it's not a video!"

But the museum employee would not listen to me. "I don't know anything about that," he said, "but you have to pay 2000 rupees to take videos."

I showed him the 200 rupee permit that I'd bought to take photographs in the museum with my DSLR camera, but he insisted that I had been taking a video. I tried to show him the panorama photo I had taken with my smaller camera, but he didn't want to see it. "I don't know these things," he kept saying.

The more I tried to show him the photo, the more agitated he got, the louder and more shrill his voice got, and he then went off to report the 'video' to the authorities. He returned a few minutes later by himself - looking sheepish, I thought - and then suddenly straightened up and said that I was using two cameras but had paid to use only one.

I just kept looking at him because the whole encounter was ridiculous, and he soon ran off, but not before telling me to delete the 'video' I had taken because I would be 'checked' upon leaving the museum. Of course, nothing ended up happening.

Sunday, July 15, 2012

I Wanted to be a Graduate Student

I wondered if the Italian American professor in front of me could tell that I was dying on the inside. His last name was Romano. Like Ray Romano, like Romano's Macaroni Grill. Did he know how badly I needed an assistantship? I was 22 years old and in my final semester as an undergraduate student at the Oklahoma State University in Stillwater. I had promised myself that I would only go to graduate school if I could finance at least part of that expensive education. Tuition racked up to at least 6,000 dollars every semester for international students, and that was not including the other few thousand dollars that got spent on rent, food, expensive textbooks (many cost over a hundred dollars) supplies, transport (air and ground). Most foreign students did not qualify for any sort of financial aid as undergraduates, but they could try for assistantships in graduate school. Assistantships were packaged differently in different universities, but they all got you work experience either teaching or researching with a stipend. OSU, for example, often tossed in free health insurance and waived out-of-state tuition. They would only charge you in-state tuition, which was like one-third of what international students usually had to pay. And I desperately wanted to teach or do research, the thought made me happy on the inside. Being happy though was not my first priority at that time, I needed to be able to afford grad school first, and that was through an assistantship. Any kind. From any department. Doing anything.

But this was early 2003. The American economy had crashed so badly in the time since 9/11. Assistantships and other forms of financial aid had dried up at colleges and universities across the country. I only knew of a handful of international students on assistantships at OSU. They didn't even advertise for them anymore. I had applied for graduate study at OSU and 4 other universities across the US, and I'd got in everywhere. But I needed an assistantship. School would be too expensive otherwise, and I'd have to look for a fulltime job and someone to sponsor a work visa for me, and if anything was more difficult than finding an assistantship, it was looking for a job in the US as a foreigner. And I was only 22 years old with no real-world experience. I knew nobody would hire me. There were thousands of foreign students out there that employers would prefer to hire over me. These foreign students were the older ones or the ones with a master's or a doctorate degree or with previous fulltime work experience. I was at the bottom of the pile - 22 years old with only a bachelor's degree and no fulltime work experience in my field. Only until a couple of years ago foreign students were being picked up by giants like IBM and Microsoft from universities across America and being offered startup salaries like 60,000 dollars per year even if they didn't have any experience. That had changed. The America I witnessed in the 2000s was one of lack and scarcity. Foreign students were now returning to their home countries empty-handed because they had been unable to find a job in the US even in the one-year grace period the immigration department gave them after graduation. I didn't want to go back empty-handed, I knew I was smart, I knew I had potential even though I had tanked on morale. Home is where careers and dreams went to die. Bottom line: I absolutely had to get an assistantship to go to graduate school. I really wanted to study, I wanted to be more qualified, I loved academia. And maybe the job market would improve after 2 years, at least for me, when I was older, had a master's degree, and maybe some research or teaching experience on my resume. I didn't want to go back home. I had worked too hard and lived too alone and sacrificed too much happiness at an age when I was supposed to be partying and dating and learning about make-up and wearing nice shoes. I couldn't go back now. I had to stay in the race.

Did this professor in front of me understand that? I was sitting with him in his little temporary office in the business building at OSU. He was tall, thin, and had a head full of short, very curly dark-brown hair. He wore glasses, and at that moment, he was sitting across from me with his head bent, looking down at a copy of my resume that he held in his hands. I'd never met him before, he actually used to teach at the Tulsa branch 80 miles away. Did he understand that my heart was pounding because he had actually replied to my cold-call email about needing an assistantship and had wanted to meet me? I had sent hundreds of those emails over the past few months, not just at OSU but to every conceivable department at the other 4 universities where I had been accepted. I could not afford to leave any stone uncovered, there was no room for oversight here, there was too much at stake for me. Over the past many months I had physically visited every single department - academic or not - at OSU and left a copy of my resume and a cover letter in every single mailbox. I used to go one building at a time and walk through all the floors and visit every single office. That's a lot of buildings. That's a hell of a lot of printing work and paper usage. If it looked like some kind of office, I'd enter, ask to see the mailboxes, and leave my resume and cover letter in every single box. No one ever got back to me. I must've physically visited at least a thousand mailboxes across the entire OSU campus in Stillwater. I even visited the veterinary sciences department. It wasn't even attached to the main campus. But no one called me back. I couldn't physically do this at the other universities where I had been accepted because they were in other states, so I had had to resort to email instead. I had emailled my resume and cover letter to every single professor at each of those universities. That's when I discovered that my Hotmail account had a limit of sending 200 emails a day. It was an annoying discovery, but I guess all it meant was that I had to wait 24 hours for my email account to be able to send the next 200 emails and so on and so forth until I had covered every professor and staff member in every department at those other universities. I needed an assistantship. Please. But I mostly got no responses. I had a handful of people respond in the negative. I didn't know what more I could do. The head of the department where I had been accepted as a graduate student at OSU had personally told me that no assistantships were available at her department either. They had a waiting list though, and she offered to add my name to it. I knew of at least a dozen people on that list.

"You don't have anything even in the Tulsa branch?" I had asked her without thinking in a flat and dull way, which was how I had become in those days. I felt small, helpless, and emptied out. I had nothing more to offer. All these months, all that effort, all that initiative, and nothing. Nothing, nothing, nothing. It was not fair. This wasn't how it was supposed to be.

"Oh," the department head said. "I'd never thought of the Tulsa branch. I don't know about our department there, why don't you contact them directly? We only keep track of our Stillwater assistantships." The Tulsa branch of OSU was just a handful of small buildings, a small extension of the sprawling campus in Stillwater. So I emailled the professors there with what remained of my extinguished spirit. I was not going to try for anything after this. There was absolutely nothing more I could do.

And I got a response. From a professor in Tulsa who said that he wanted to meet me. He was going to visit the Stillwater campus in a few days, and I could meet him in the temporary office he had there. I was terrified. He was the only person who had got back to me with something other than 'sorry', got back to me at all actually out of everyone else. I set an appointment to meet him in his office in the business building on my campus. From that moment on to until I sat in his office before him, my heart kept pounding and I kept breathing badly. I watched him looking over my resume in front of me. He's thinking my resume is unimpressive, he's going to tell me that he hates my face, that I'm underqualified, I am not special, how dare I waste his time. I wanted to cry because hope felt more terrifying than giving up did. It was cruel, it hurt. I sat there before him in my cheap ill-fitted jeans, worn-out sports shoes, and discount jacket. I was 22 years old, and I was wanting to die. Just say no, just say no, please don't make me wait for you to change your mind about me.

He looked up at me.

"I am impressed that you made the effort to contact me. I can take you on as a graduate assistant, I need some help with some research that I'm doing..."

What?

"You made the effort to contact me on your own, I can appreciate that, that is why I had wanted to meet you."

The whole meeting didn't last more than 10 minutes. He didn't even ask me any questions. I was going to get to go to graduate school. My life and career was not going to end at 22. I didn't cry in the office, but I must've afterwards.

* * *

One of the offices I had discovered on my very thorough coverage of the Stillwater campus was the Career Services office. I had left a copy of my resume and a cover letter with the lady at the front desk. And I'd forgotten about it. I had zero expectations from non-academic departments, assistantships were usually only for teaching or academic research, but I just did not want to take a chance. Might as well leave them my papers while I'm scouring the whole damn campus anyway. And I ended up getting a call from them, from the Career Services office. Their department head had wanted to meet me. His name was Amjad Ayoubi, and I set an appointment to meet him. I had no idea what to expect, this was a non-academic department.

Amjad was really nice. He was from Palestine but now lived in America and had a family here. He was short and had a glow to his very open-looking round face. He was sitting down, but there was something very happy, eager, and rarin'-to-go about him. I sat across from his desk, completely unsure what to expect. He had a very nice, shiny, wood-and-carpet office with motivational posters on the walls. Someday I wanted to have an office like that. Maybe even a whole house like that. It was possible in America.

He slid a shiny little credit card in front of me. It was actually a mini-CD in the shape of a credit card. I remember it was metallic orange in colour. Orange because that was our university colour. We were orange-and-black, the tigers. Amjad's dark eyes shone as he looked at me. He was very excited on the inside.

"We're planning on using this to teach students at OSU about using credit cards responsibly." His eyes shone some more as he looked at me. "Can you make a website using the contents of this CD?"

A website? I didn't know how to make a professional looking website. I didn't have the software, I hadn't even been trained. I had only taught myself the basics of HTML from a book and made myself a personal website with only 1 page - one very long tedious page - with pictures of my favourite actors on it. This was on the now defunct Geocities. Apparently it's only available in Japan now, or so Wikipedia says. I was a Computer Science major but they didn't offer any web design classes back then. I had no sort of training. I had only recently graduated to tinkering with my website using MS FrontPage, but there was no way I had the technical or design knowledge to pull off a real professional website. Amjad would laugh at me. This whole business of putting yourself out there for something you wanted was humiliating.

But I didn't tell Amjad any of this. I didn't even know why he was making me do this. I asked him for details on what he expected from the website (mostly because I had no prior professional experience to base this new task on), but his face only glowed more and he told me to do whatever I wanted because he wanted to see what I could do. That was what I had been afraid of.

But I went back to my dorm room anyway and made on my dear old PC what I would now think of as a horribly flat, sparkly website with the most unappealing and dull colour scheme ever. I had tried to use OSU's black and orange theme, but for some reason the whole thing turned out chunky and primitive looking. All the links worked but the whole thing just looked so amateurish. But it was the best I could've done at that point. I uploaded the website to the new hosting space I had recently signed up for with Netfirms and sent Amjad the link. I cringed at the thought of how disappointed he would feel. I had created the website, and I knew I could've done better if I had the tools and the training, but I was handicapped by my limited knowledge. He called me back for another visit. I dreaded it. He would tell me that that was the ugliest website he had ever seen, but I was so much on autopilot looking for assistantships for graduate school that I was seriously just going through the motions. I was prepared for the humiliation, for fingers pointing at me telling me how I didn't deserve to go to graduate school and that I was a waste of the world's time.

Amjad ended up telling me that one of his employees needed someone to help her with technical work on the Career Services website, and that I ought to go and set up an appointment to meet her next. I did. Her name was Tina. She was a petite white woman in her late 30s with short dark brown pixie hair, and she looked a little bit like Kate Beckingsale. She was friendly and had the energy of a happy hummingbird. She chuckled a lot. One of the questions she asked me was if I had ever worked very hard towards something and had still failed. I knew all about that sort of thing, and I told her about the various assistantships I had applied for at OSU itself and had not been called back. I remember putting my heart and soul in one particular application and being turned down. I'd lain in bed and stared at the ceiling for a long time after that.

"Oh!" Tina had blurted out, probably not expecting to have me answer that so quickly, "I'm sorry you had to go through that." I didn't know what was happening and why I was being interviewed. I needed an assistantship, and this was just looking like the usual minimum-wage part-time job, the kind international students like me had already done so many times before. Assistantships paid more, were more serious work, and at least at OSU got you in-state tuition, health insurance, and a stipend. That's what I needed. I had to go to graduate school.

And they hired me as a graduate assistant. Around the same time as Dr. Romano did. I ended up with two assistantships for the duration of my master's at OSU and became somewhat of a legend in the international students population. Scoring one assistantship was rare, two was unheard of. Both positions had been created for me and at least the one at Career Services was discontinued after I graduated and left to work with Deloitte & Touche 2 years later. I remember how a number of international students who never used to speak to me or even used to be rude to me had started coming up to me in my last semester with fake smiles to suck up their way as my replacement at both assistantships. I don't think any of them got in. It felt good to have won. And Career Services and working with Dr. Romano ended up becoming the best professional experiences I have had to date.

Amjad and I on my first homecoming after graduate school
Tina and I at lunch somewhere on the way back from a seminar in Oklahoma City

The Woman in Accounting

Her office was tucked in the back somewhere. She was the accountant at the Career Services office where I worked part-time as a graduate assistant at the Oklahoma State University in Stillwater. I don't remember her name. I barely ever interacted with her. I barely ever saw her. Was she a Sharon? A Carol? She was in her late 40s, a thin, slightly bent white American woman. A white shadow.

I was sitting across from where she sat at her desk. I had won the Business Suits for Students contest, and I was here in the accountant's office to finish off some paperwork. The Career Services office had held the contest to award a lucky student 400 dollars worth of a brand new business suit and shoes from Dillard's at the Woodland's mall in Tulsa 80 miles away. Applicants had had to write an essay about why they needed a new suit. Mine had won. Four hundred dollars! For clothes! Brand new clothes! From Dillard's! We didn't even have a mall in Stillwater, and I sure didn't remember what nice new clothes felt like. I had spent 6 years at university counting pennies, skipping meals to save money, and frequently overdrawing my bank account. I used to choose to walk almost an hour to the nearest WalMart to save on a 5 dollar cab ride. God-awful times. I was only a year away from finishing up with graduate school, and I needed to find a job for after so I could stay on in the country. The economy was crap, hardly anyone was hiring, and I needed to find a job or pack up and go back home where careers go to die. I was only 23 years old and had been running on empty, emotionally and financially, for 6 years. I used to feel so bad at career fairs in my makeshift suit; everybody else had shiny well-fitted ensembles. I felt small and exhausted. The first draft of my essay had reflected my life:

"Not again will I be taking 45 minute walks to WalMart (for want of a car) for groceries, all the while secretly harboring desires of magically finding a pair of cheap comfortable shoes that will go well (in the dark anyway) with the imitation-silk blouse from Goody’s and the pair of great fitting though slightly worn-out grey trouser-like pants that I’d fished out from the clearance pile at JCPenney’s. My Frankenstein of a suit. My eclectic grown-up collection in my blue-jeans college life."

Winning 400 dollars for a brand new suit and shoes that I desperately needed but could not afford for critical job interviews was something that almost made me want to get down on my knees and cry. All on the basis of my writing too, a personal skill that had all but died by then. It was validating for me. Shocking, but powerfully validating. My writing...it was still good? Good enough? To help me with something?

The award committee had really liked my essay. The accountant lady had told me so while making me sign a bunch of documents.

"“All the world's a stage,
And all the men and women merely players:
They have their exits and their entrances;
And one man in his time plays many parts,”
William Shakespeare

A part I’ve been playing for 20 years (almost my whole life) is that of The Broke Student, during which time my parents paid for all of my expenses. The last 6 years have been spent with their financing my education and life here in the United States as an international student, converting a fistful of foreign currency into a lot less dollars. It’s been even harder what with tuition for international students being 3 times as much as their in-state counterparts. Part-time on-campus employment only provided pocket money.

But it’s time for The Broke Student to take her exit from the stage.

I will be graduating in May next year, out in the real world, acting out my new part – The Unemployed College Graduate. Hopefully that won’t last too long. I’m wishing with fingers crossed really tightly that I will then leap into my next role – The Full-Time Worker. Perhaps playing this new part will help pay back what was invested in me, if not in dollars and cents, then in some other way.

“Sans teeth, sans eyes, sans taste, sans everything.” Sans suit?

Indubitably, The Unemployed College Graduate will need to dress to impress to initiate the metamorphosis into The Full-Time Worker. A good suit, however, is way out of The Broke Student’s budget. Wonderfully, this is where the ‘Business Suits for Students’ program comes in. The Broke Student seeks to take her very first steps in bringing The Full-Time Worker onto the stage, in some way helping her family by first helping herself."

I was shyly listening to the usually withdrawn white woman as she praised my writing. Nobody else used to do it anymore, my creative writing skills from my childhood had gone completely underground by then. Silent, dead in the dank underworld along with the rest of me. I was surprised that someone had liked my writing enough to tell me. She sounded sincere. And she kept talking. Her voice was small and tired sounding, almost as if she hadn't spoken in many years. Her face had already started wrinkling in thick chunks. She didn't look me in the eye but kept talking as she slowly shuffled through her papers. "Your writing is wonderful," she had said to the weary young thing I had become, "never stop writing." And she kept talking. She told me that she used to work for a very large company, that she had been doing very well in the corporate world, but she hadn't liked it. Then her husband died in a plane crash, and she left her big office and her old life and moved back to tiny little Stillwater in the middle of nowhere with her children. She was happy here in her small hidden office. Then she smiled a small but real smile at me, and I felt so moved on the inside, although I didn't say anything because I was too young and too numb to understand what she was making me feel. I ended up getting a job at a big corporate office a few months later and left Stillwater. I never saw the invisible accountant from Career Services again.

Small Dog, Big Fight

Aw, an essay I had written as a 22-year-old applicant for the Mercedier Cunningham scholarship at the Oklahoma State University, Stillwater. I had not won, but I can admire the little chipper's spirit!



Statement of Need


“Small opportunities are often the beginnings of great enterprises.”
Demosthenes

300 something years before Christ, in the part of the world that once used to be the magnificent Greek Empire, one self-conscious under-confident youth struggled with a weak voice and poor delivery. But later in his lifetime, he metamorphosed into an awe-inspiring fiery political orator. Today, Demosthenes is remembered as a great, no, the greatest of Greek orators. And over 2000 years later, hundreds of lifetimes past, the Mortar Board of the Oklahoma State University, Stillwater, felt compelled to quote him in the 2004-2005 edition of the Mortar Board calendar.

Let’s extend our stay in the present day for a little while longer. In 1981, I was born an Indian citizen in the Middle East, and my parents financed my education (and my life really) ever since then. Of course, every cost associated with me increased many, many fold when I came to OSU in 1999 to start working on my undergraduate degree, what with tuition for international students being almost three times as much as their in-state counterparts, all the while converting a fistful of foreign currency into a lot less dollars. I worked as many hours of part-time jobs as my status as an international student would allow me, but at the end of the day, that only helped provide pocket money. All the same, I tried to look at it all through an entirely different perspective. I chose optimism and struggled to view hardships as opportunities, small yet path-forming.

Today, I am enrolled in the Management Information Systems Master’s program, and for as long as I have been working hard at it, I have been trying to support myself in some measure with a financially more satisfying status as a graduate/research assistant. I’m not financially independent yet, but I’ve been seizing whatever opportunities have been tapping at the door of my life. Carpe Diem has become the tune my soul’s been dancing to. It’s not a new dance; I had been taking baby steps during my undergraduate years (albeit unknown to me at that time), clumsily tripping over myself and often feeling graceless and frustrated at my ineptness. Teeth-gritting perseverance, however, made the tune louder and faster; the dance trickier and nearly acrobatic. Today it is a much-cherished intuition.

The opportunities have been getting bigger swiftly, and I’m almost afraid to break for a breather and inadvertently (shudder!) slow down. I do not know what great enterprises these opportunities herald, but today I feel the need to quote a countryman of Demosthenes’, Pindar the great poet. He once declared, ‘learn what you are and be such’. A merry dance my Greek friends lead me at from across the millennia. The real world awaits me at the end of my life as a student, and in mirthful anticipation of what wondrous new melodies lie in the vast unknown, I can hardly dance any faster.

Thursday, July 12, 2012

They Say Success is Relative

"To help my clients formulate their visions, I give them the following exercise, which almost always excavates what it is that brings them fulfillment:

Complete the following sentences by writing down your responses on a blank sheet of paper. It is not sufficient merely to complete the sentences in your mind as you read them; you must commit your answers to paper. You can change what you wrote after you see them in print, but make sure you write them down.

1. The people I view as successful are...
2. I feel successful when I...
3. My symbols of success are...
4. I will feel like a success when I...
5. If I were to write my ideal obituary based on the fact that my life was a success, it would read like this..."

- Cherie Carter-Scott, 'If Success is a Game, These are the Rules'

Those Evil Ad People

Prrrrooobably not the kind of beauty Eleanor Roosevelt was talking about.

Monday, July 9, 2012

The Cleric's Worst Nightmare

The end of the world is upon us: people now get fatter during Ramadhan, and Kate Moss is the face of Harper's Bazaar Arabia's Ramadhan special (her naughty bits have been covered quite literally for Heaven's sake).

Friday, June 29, 2012

The Indian Restaurant by the Arkansas River

Desi Wok was a mad, bad hit in Tulsa, Oklahoma. The little restaurant had only been running for a few months, but every single person I knew was addicted to their food. Even white people! My favourites were their chicken biryani, chicken tikka masala, and lollipop wings. I ate from there sometimes twice a week, and their portions, like most American portions, were large enough to last me for two meals. And the biryani only cost 7 dollars! Hotdiggity, I loved that place. Someday I will go back there. I am not much of a foodie, but the fact that the very memory of Desi Wok is making me salivate right this minute says a lot.

Desi Wok was only a 10-minute drive from my place, so I often called in my order and picked it up to eat at home. It was on one of those days while I waited by the cash register for the folks there to pack my food up for me that my eyes fell upon a yellow flyer up on their wall. They usually put up flyers there to advertise cultural events and to make other announcements. That's how I had one day come across the ad for a new movie called 'Om Shanti Om' that was being screened in the normal theaters where they played American movies. I had never heard of that movie before, but an Indian movie being screened in a regular theater in Tulsa was always a big deal, something that you'd go to just because it only rarely happened in white country. Imagine my shock in the theater when I discovered that it was a Shahrukh Khan movie and that he now had abs and was flashing flesh all over the place. Scandalous! And I had loved it!

So I paid closer attention to the yellow flyer on the Desi Wok wall. It had a picture of a man on it. He was a middle-aged Indian man and looked serious in that smudged black-and-white reproduction of his passport photo. He'd died, and they were collecting money to send his body back to India.

I looked at that man, and he looked through me. I wondered where that picture had been taken, and if when he had been looking into the camera lens at that point if he had looked a little deeper and seen me looking back at him from the future, from outside the yellow flyer he would eventually be inked across. I knew him. I had met him once. He had been a waiter at the other older Indian restaurant on the other side of Tulsa, the one by the Arkansas river. I didn't go there very often, but I had eaten there the first time I had visited Tulsa.

It had been a couple of years ago when I was in my final semester as a graduate student at the Oklahoma State University in Stillwater 80 miles away. I had been interviewing with the Deloitte office in Tulsa, and a few of us from my university had been invited to visit them. I had bunked a ride with another student (who always weirdly introduced himself as 'of Persian descent') and had met up with an Indian friend of his who lived in Tulsa. He had taken us that Indian restaurant, the one by the river. This was around February 2005.

I hadn't wanted to ask that guy for a ride at all. He had been in a few of my classes, and I'd always found him highly obnoxious and arrogant. I'd seen him around for a couple of years at university, and though he was a Zoroastrian (Parsi) who had lived in Bombay, he would spare no opportunity to insult Indians every chance he got. The word 'a**hole* was invented for him. He'd speak with a phony elitist British accent and only befriended white people, and he used to treat me with ugly contempt until the day he discovered that I listened to English music, after which he stopped sneering at me and would approach me in a friendly way. I couldn't stand him. What an a**hole. I had seen him introducing himself to people as 'of Persian descent', ridiculing Indians in public and often in the presence of other Indians, yet miss no opportunity to audition for and MC the annual (and wildly popular) India Night event on campus where he paraded around on stage for the whole show and praised India and its usual Himalayas and rivers and languages and ancient history or whatever on centerstage. God, what an a**hole. I know, I had been the other MC. What a jackass. He was haughty, thought everyone un-white was beneath him, and he always had a contemptuous mocking grin plastered on his face. During a group study session, I once asked my fellow students for advice on buying a digital camera (a new invention in those days), and he'd suddenly looked at me from far across the long desk and said, "why don't you just buy it from Walmart and return it after using it? Isn't that what all Indians do?" He'd had that same haughty glint in his eyes when he'd said it. I couldn't stand him.

The almost two-hour-ride back and forth between Stillwater and Tulsa had been a long, painful, and silent one. At some point I'd interrogated him about his citizenship. He'd held an Indian passport but had been born in Iran. After the Islamic revolution of 1979, his family had moved to India to join his Indian Parsi relatives only because his father had waited too long to apply for asylum in the UK. So the Persian had grown up in India. He'd apparently also spent a couple of years in the UK as an adult with some relatives. But man, was he a jackass. I'd seen him use his Indian background when it suited him, to connect with Indian recruiters (whom he secretly despised, I guess?) or get a chance to be on stage, but otherwise he'd fake being this exotic brown person with some murky connection to ancient Persia and ye ol' Queen.

So it was with this man I couldn't stand and a friend of his I'd only just met that I showed up for lunch at that Indian Restaurant by the Arkansas River. It was an Indian restaurant much like all the others you'll find anywhere in the US. A slightly mouldy interior with a name any combination of [Mahal, Taj, Masala, House, India(n), Spice(s)], very agreeable smiling brown waiters, strange pictures on the wall of people and elephants that looked Rajasthani, Mughal, and erotic all at once, sticky table-tops, old wooden chairs with upholstered seats that I didn't want to touch, and some faint music ('Chaudvin ka Chand' - mostly instrumental - or classical) playing from speakers hidden somewhere in fake potted plants.



We'd arrived during the lunch rush, and we'd opted for the buffet (I've eaten at way too many Indian and Chinese buffets in America) over the menu. We must've eaten the usual food that these usual Indian restaurants outside of India serve at the buffet table - coagulated daal makhani, soupy butter chicken, stiff pieces of white roti that everyone calls naan, some generic chunky yellow-green vegetables, white rice, salaad, and gulaab jaamun. And don't miss the brittle 'lentil wafers', the broken ones with the jagged edges, at the beginning and the stale but sweet mouthfreshners on your way out.

My Indiaphobe friend and his Indian friend sure looked like they were enjoying the Indian food. They ate a lot. God, I hated this guy. He sure had a chip on his shoulder about 'Persia'. I used to call him the 'Prince of Persia' behind his back at university; he had been quite universally disliked. It was at a potluck party at our department head's house the year before when I happily looked at the qorma an Indian student had brought that he had snapped at me and hissed, "oh yeah, well did you know that qorma was Persian??" This was a man being bitchy. Only an hour ago when we had dropped by his friend's apartment to pick him up had he started going gaga over his large flat-screen TV (another new thing in those days). He'd looked at me but I had been bored. "This is HD!" he'd told me. Do you even know what HD is, his tone implied. He'd given me a dirty look. I guess he was the sort of guy who didn't know how to deal with a difference of opinion.

I couldn't wait to get back to Stillwater. We still had to get through lunch, and we had just started. We'd been greeted at our table by a middle-aged Indian waiter. He had looked a little bit like Narsimha Rao, but his manners were a lot better. I had been so angst-ridden about having to be around the Persian for the past two days, and this older man's manners made me feel better. He had been very attentive, almost clicking his heels. His English had an Indian accent, but he spoke it very well. "Is there anything else I can get for you?" he'd ask with a nod. "Have you had dessert?" "We hope you've enjoyed your experience at Masala/Taj/Spice/India Mahal/House." What a great waiter, I'd never seen anything like him before. That was in February 2005.

I got the job at Deloitte and moved there a few months later in June. I probably saw that yellow flyer in Desi Wok 3 years later in 2008. I remembered that man. He had been the best waiter I'd ever met. He had been very professional, and he had almost behaved like he had been a trained butler. I looked at his picture some more, but my food was ready, so I packed it and took it home with me.

A few days later I withdrew some money from my bank and made my way to that Indian Restaurant by the Arkansas River. I never went there very often, it used to depress me; the insides were a little too dark, it almost felt like you were entering Ali Baba's cave except that there were no great treasures within.

I walked up to their bar and told the man there that I had wanted to donate money to send the body of that middle-aged waiter back to India. The man's eyes became soft, and he took out his register to wrote down the amount I was donating. I think we spoke in whispers, although I'm not sure why. He took the money. I asked him how his co-waiter had died. A heart attack. He'd been living in Tulsa for many years and had been sending money to his wife and children and old mother in India. Now it was time for him to go back too.

I don't know why I remember him so clearly from that day with the Indiaphobe Persian and his Indian friend. It's not like I'd ever seen him after that. I don't know why you remember some people after one meeting. I don't know why it always feels like they're still out there somewhere living, talking, waiting.

Tuesday, June 12, 2012

Creative Accounting?

"Don't do any work on the Sabbath yourself, but pay someone else to do it. You obeyed the letter of the law: who's counting? The Dalai Lama tells us that you can visit a prostitute as long as someone else pays her. Shia Muslims offer "temporary marriage," selling men the permission to take a wife for an hour or two with the usual vows and then divorce her when they are done. Half of the splendid buildings in Rome would never have been raised if the sale of indulgences had not been so profitable: St. Peter's itself was financed by a special one-time offer of that kind. The newest pope, the former Joseph Ratzinger, recently attracted Catholic youths to a festival by offering a certain "remission of sin" to those who attended."

- Christopher Hitchens, 'God is Not Great'

A New Island Religion

"In 1964 there appeared a celebrated documentary movie called Mondo Cane, or "the world of the dog", in which the directors captured numerous human cruelties and illusions. This was the first occasion on which one could see a new religion being assembled, in plain view, on camera. The inhabitants of the Pacific islands may have been separated for centuries from the more economically developed world, but when visited by the fatal impact many of them were shrewd enough to get the point immediately. Here were great vessels with billowing sails, bearing treasures and weapons and devices that were beyond any compare. Some of the more untutored islanders did what many people do when confronted with a new phenomenon, and tried to translate it into a discourse that they could themselves understand (not unlike those fearful Aztecs who, first seeing mounted Spanish soldiers in Mesoamerica, concluded that they had a centaur for an enemy). These poor souls decided that the westerners were their long-mourned ancestors, come back at last with goods from beyond the grave. That illusion cannot long have survived the encounter with the colonists, but later it was observed in several places that the brighter islanders had a better idea. Docks and jetties were built, they noticed, after which more ships came and unloaded more goods. Acting by analogy and mimesis, the locals constructed their own jetties and waited for these, too, to attract some ships. Futile as this proceeding was, it badly retarded the advance of later Christian missionaries. When they made their appearance, they were asked where the gifts were (and soon came up with some trinkets).

In the twentieth century the "cargo cult" revived in an even more impressive and touching form. Units of the United States armed forces, arriving in the Pacific to build airfields for the war on Japan, found that they were the objects of slavish emulation. Local enthusiasts abandoned their lightly worn Christian observances and devoted all their energies to the construction of landing strips that might attract loaded airplanes. They made simulated antennae out of bamboos. They built and lit fires, to simulate the flares that guided the American planes to land. This still goes on, which is the saddest but of the Mondo Cane sequence. On the island of Tana, an American GI was declared to be the redeemer. His name, John Frum, seems to have been an invention too. But even after the last serviceman flew or sailed away after 1945, the eventual return of the saviour Frum was preached and predicted, and an annual ceremony still bears his name. On another island named New Britain, adjacent to Papua New Guinea, the cult is even more strikingly analogous. It has ten commandments (the "Ten Laws"), a trinity that has one presence in heaven and another on earth, and a ritual system of paying tributes in the hope of propitiating these authorities. If the ritual is performed with sufficient purity and fervor, so its adherants believe, then an age of milk and honey will be ushered in. This radiant future, sad to say, is known as the "Period of the Companies", and will cause New Britain to flourish and prosper as if it were a multinational corporation."

- Christopher Hitchens, 'God is Not Great'

A Miracle at Mother Teresa's

"I had already helped expose one of the "miracles" connected with the work of this woman. The man who originally made her famous was a distinguished if rather silly British evangelist (later a Catholic) named Malcolm Muggeridge. It was his BBC documentary, Something Beautiful for God, which launched the "Mother Teresa" brand on the world in 1969. The cameraman for this film was a man named Ken Macmillan, who had won high praise for his work on Lord Clark's great art history series, Civilisation. His understanding of colour and lighting was of a high order. Here is the story as Muggeridge told it, in the book that accompanied the film:

[Mother Teresa's] Home for the Dying is dimly lit by small windows high up in the walls, and Ken [Macmillan] was adamant that filming was quite impossible there. We only had one small light with us, and to get the place adequately lighted in the time at our disposal was quite impossible. It was decided that, nonetheless, Ken should have a go, but by way of insurance he took, as well, some film in an outside courtyard where some of the inmates were sitting in the sun. In the processed film, the part taken inside was bathed in a particularly beautiful soft light, whereas the part taken outside was rather dim and confused...I myself am absolutely convinced that the technically unaccountable light is, in fact, the Kindly Light that Cardinal Newman refers to in his well-known exquisite hymn.

He concluded that

This is precisely what miracles are for - to reveal the inner reality of God's outward creation. I am personally persuaded that Ken recorded the first authentic photographic miracle...I fear I talked and wrote about it to the point of tedium.

He was certainly correct in that last sentence: by the time he had finished he had made Mother Teresa into a world-famous figure. My contribution was to check out and put into print the direct verbal testimony of Ken Macmillan, the cameraman himself. Here it is:

During Something Beautiful for God, there was an episode where we were taken to a building that Mother Teresa called the House of the Dying. Peter Chafer, the director, said, "Ah well, it's very dark in here. Do you think we can get something?" And we had just taken delivery at the BBC of some new film made by Kodak, which we hadn't had time to test before we left, so I said to Peter, "Well, we may as well have a go." So we shot it. And when we got back several weeks later, a month or two later, we are sitting in the rushes theater at Ealing Studios and eventually up come the shots of the House of the Dying. And it was surprising. You could see every detail. And I said, "That's amazing. That's extraordinary." And I was going to go on to say, you know, three cheers for Kodak. I didn't get a chance to say that though, because Malcolm, sitting in the front row, spun around and said: "It's divine light! It's Mother Teresa. You'll find that it's divine light, old boy." And three or four days later I found that I was being phoned by journalists from London newspapers who were saying things like: "We hear you've just come back from India with Malcolm Muggeridge and you were the witness of a miracle."
"

- Christopher Hitchens, 'God is Not Great'

The Lawmakers and Their Subjects

"In 1996, the Irish Republic held a referendum on one question: whether its state constitution should still prohibit divorce. Most of the political parties, in an increasingly secular country, urged voters to approve of a change in the law. The did so for two excellent reasons. It was no longer thought right that the Roman Catholic Church should legislate its morality for all citizens, and it was obviously impossible even to hope for eventual Irish reunification if the larger Protestant minority in the North was continually repelled by the possibility of clerical rule. Mother Teresa flew all the way from Calcutta to help campaign, along with the church and its hard-liners, for a "no" vote. In other words, an Irish woman married to a wife-beating  and incestuous drunk should never expect anything better, and might endanger her soul if she begged for a fresh start, while as for the Protestants, they could either choose the blessings of Rome or stay out altogether. There was not even the suggestion that Catholics could follow their own church's commandments while not imposing them on all citizens. And this in in the British Isles, in the last decade of the twentieth century. The referendum eventually amended the constitution, though by the narrowest of majorities. (Mother Teresa in the same year gave an interview saying that she hoped her friend Princess Diana would be happier after she had escaped from what was an obviously miserable marriage, but it's less of a surprise to find the church applying sterner laws to the poor, or offering indulgences to the rich.)"

- Christopher Hitchens, 'God is Not Great'

Monday, June 11, 2012

What Happened to Eduard

"Eduard sat for long hours staring up at the sky in Brasilia, watching the clouds moving across the blue - beautiful clouds, but without a drop of rain in them to moisten the dry earth of the central Brazilian plateau. He was as empty as they were.

If he continued as he was, his mother would fade away with grief, his father would lose all enthusiasm for his career,  and both would blame each other for failing in the upbringing of their beloved son. If he gave up his painting, the visions of Paradise would never see the light of day, and nothing else in this world could ever give him the same feelings of joy and pleasure.

He looked around him, he saw his paintings, he remembered the love and meaning he had put into each brushstroke, and he found every one of his paintings mediocre. He was a fraud, he wanted something for which he had not been chosen, and the price of which was his parents' disappointment.

Visions of Paradise were for the chosen few, who appeared in books as heroes and martyrs of the faith in which they believed, people who knew from childhood what the world wanted of them; the so-called facts in that first book he had read were the inventions of a storyteller.

At supper time, he told his parents that they were right; it was just a youthful dream; his enthusiasm for painting had passed. His parents were pleased, his mother wept with joy and embraced her son, and everything went back to normal.

That night, the ambassador secretly commemorated his victory by opening a bottle of champage which he drank alone. When he went to bed, his wife - for the first time in many months - was already sleeping peacefully.

The following day, they found Eduard's room in confusion, the paintings slashed and the boy sitting in a corner, gazing up at the sky. His mother embraced him, told him how much she loved him, but Eduard didn't respond.

He wanted nothing more to do with love, he was fed up with the whole business. He had thought that he could just give up and follow his father's advice, but he had advanced too far in his work; he had crossed the abyss that separates a man from his dream and now there was no going back.

He couldn't go forwards or back. It was easier just to leave the stage."

- Paolo Coelho, 'Veronika Decides To Die'

Saturday, May 19, 2012

Tears at the Rajghat

Something happened to me that day at the Rajghat in Delhi last June. I'm usually able to write out any given blogpost in one sitting, but I think there were so many cognitive interpretive layers in what I was experiencing that it took me a year to be able to understand all the things that had hit me all at once then. That almost never happens to me, I usually know exactly what I'm feeling and why. But it's taken me a year this time. I'm much better now, but I can never be the same person that I was then. Not at all. Has that ever happened to you, like when everything you ever believed in falls away and for a long time you don't know which end is up? You're as helpless as a newborn baby and wailing just about the same way as when you did when the warm world of the womb that you'd known for months slowly spat you out and, unbeknownst to you, had been repositioning you for the expulsion for a long time before. The betrayal! And as the old world fell away, the new one with all its awful noises and light and temperatures made you cry. It is at that time that you, a pruned blind piece of primal meat covered in body-slime, are at your most vulnerable. You need a parent from the new world to shield you, to tell you that everything will be alright, to make sure the predators from that new world don't sniff you out and eat the squishy lump of meat that is you.

Not everyone gets that parent.

The Rajghat incident happened when I was interning in reporting at NDTV in New Delhi. I tried writing this out a few months later at the end of August but couldn't get very far. All the pictures and colours and sounds and temperatures and textures that I was trying to convey were swirling so fast and phasing in and out of each other, I just couldn't separate each strand out long enough to lay out in writing before it curled up again and rolled away. It was like trying to unravel a jumble of sticky tape that had been glued onto itself. I'd try to straighten it out, but the tape would either stick to my fingers or upon its own self even more. So before long I balled up the whole mess and chucked it away. But it still lay there, gathering more dust on its exposed sticky parts. Like when you're trying to get all the colours of a Rubik's Cube right so it makes sense, but you just can't nomatter which way you spin it. You even try to cheat by changing the stickers, but that doesn't help. You never get to forget the things you left unresolved.


So why did I start crying that day?

I felt frustrated and helpless and a sense of doom. And I was tired. We all were. All the reporters and camera people who had been at the Rajghat that day, some from the previous day, covering the BJP's protest against the central Congress-led government's decision to lathi charge Baba Ramdev's demonstration a few days before. June was turning out to be a busy month politics-wise. I had been put on 5am shifts everyday so far and had been sent out to mostly wait on people everyday. Hang out at the Congress headquarters where I remember the ants floating in the drinking water cooler in the press room. Go find out about the people who had been injured at the lathi charge. I had even spoken to the doctors who had treated the injured. My cameraman and I had had to wait for 3-4 hours in the lobby of the GB Pant hospital to speak to the doctors who ran the place. It had been a depressing wait. We all had heat-related headaches and were suffering from heat-exhaustion, and we couldn't even go back to the newsroom because we had been ordered to get a story. I felt really bad for the camerapeople because they had to lug those huge cameras around. So we waited and waited in the lobby with another cameraperson from another channel too. They told me things. They told me that the Indian public deserved the kind of politicians and leaders it got because the people themselves were stupid. I remember sitting there in the horrible heat of Delhi in June. The lobby wasn't really a closed-door lobby. It was an open corridor to the outside. I remember I saw a mongoose running past me. A mongoose? In a hospital? I'd leapt and pointed it out to the cameraperson, but he hadn't been surprised at all. I had wanted to cover that story, of how rodents seemed to skip around quite freely in a famous goverment hospital in the capital of India. Animals carry diseases. They carry fleas. They can chew through equipment and patients' bodies. What kind of healthcare standard was this? Why did people care about movie stars and beauty pagaents when their government wasn't able to give them the living standards that any human being deserved? I shuddered at the thought of having to seek treatment at a hospital like that. In a country like that. In the country I had been born in.


We were eventually led in to the medical officer's office. Imagine my fury when I realised that she'd been in all along and that her secretary had been lying to us about how she hadn't been in the whole time. My cameraman and I had been baking outside and feeling quite ill for hours. Imagine my shock at how nice her office looked compared to the rest of the hospital that I'd seen. It was air-conditioned, nice shiny floors, couches, a beautiful shiny desk, like a corporate office. I doubted that the rest of the hospital, where cleanliness was really needed, was like that. The medical officer was nice enough to us though. We were offered ice-cold Coke. We felt grateful. In that kind of heat, one starts to feel like one is breathing fire. A couple of days later I would be laid up in my depressing rented room with heat stroke, lying flat on my back staring at the rickety fan, completely dehydrated and hungry, unable to raise my head because my booming heartbeats pounding on my eardrums wouldn't let me move enough to order food or water. I felt so pathetic and sorry for myself that day, and I was crying on the inside but couldn't on the outside because any sort of movement was making my heart pound even louder. I was scared. I thought I was going to die. I wondered what it was that I had been trying to prove to myself.

I'd discovered at the hospital that one woman was in a critical state because her spine had been damaged. She had died later, but the others had suffered non-fatal injuries. The information had been nothing great, the BJP themselves had read out the official statistics about the injured that had been released by the hospitals earlier. So why did they start comparing it to the Jalianwala Bagh massacre? That was another story I thought needed to be covered. Compare the statistics of how incomparable the two events had been, and that maybe it was grossly irresponsible for a democratic political party to chant slogans and stir up emotions and historical memories of an event where foreign occupiers had massacred the natives of India. Criticising one's own elected government in a democracy to the extent of its actions makes sense. Constantly repeating established inaccurate information despite knowing it is inaccurate is lying. Deception. At the political level. Political parties often have very passionate followers, most of whom get swept away by one-liner slogans and the charisma of their leaders. That is the nature of the mob. Riots, genocide, even wholesale ethnic cleansings have been the result of irresponsible political behaviour. All over the world. Throughout history. These things can effect people's identities for generations to come. People still talk about how Europe and its offshoot countries still demonise the rest of the world, the monolith Orient, as the digusting other. It's part of some of their national behavioural patterns even. And for what? Lies? The kind I was seeing in action in front of my very eyes? And I couldn't do anything about it because the system was so huge and big and in a flurry that there was no one who wanted to listen. And I was in reporting that month! If I didn't express these things, then who would! Why didn't the others?

I stood in horror a couple of days later at the Rajghat where the BJP was holding a protest against the Congress-run central government. I tried blogging about it a few months later, but I just wasn't able to, it was knocking the wind out of me. I'd abandoned the post after writing the following, after which I abandoned my life for about a year:

Picture this: a 29-year-old female NRI uncomfortably sitting on the edge of a low platform in the shadow of about 10 tripod-hoisted video cameras that look suspiciously like machine guns. The month is June, the city is Delhi, and that brings to mind words like inferno, fire and brimstone, heat exhaustion, and body filth. It is the second day of the BJP protest at the Rajghat. Swarms of sweaty shiny boney Indian people have gathered at the ineffective shamiana by the sectioned-off road. The police is there, the media (oh, the media!) is there, the big politicians are there. The NRI is tired. She has had about half a meal per day over the past week. She has been here since 6am when things were just warm. It is now well into the afternoon, and like a fever, the heat of the sun and the passion of the protesters has been rising, rising, rising. This is the most disgusting season of the year (second only to the monsoons a few weeks away). She has been leaking from every conceiveable pore, her precious skin now looks like burned toast, she has sweated and evaporated in turns so many times that she now has layers of body salt in the most frustrating of places, and there is no place she can go to for relief for miles. She is not even allowed to return to the newsroom, they told her to stay put. There is no escape.


So she sits at the foot of the cameras, facing the famous right-wing politicians and their supporters who are making very loud speeches and screeching rude slogans against the Congress party. They go on and on and on, and after a few hours, when the heat is unbearable, when the ear-drum damaging loudspeakers feel like they're installed inside her brain, howling the same cheap slogans and songs over and over and over and over and over again, when the followers begin to sway like as if in the (original) Dum Maaro Dum video, followers who have come from no-name villages from far and wide with their children in their gaudy best to touch the feet of these politicians who will just.not.stop.with.the.scree.ching...

The NRI saw other things too. From where she was crouched under the cameras she saw a circus. She saw people coming up to the cameras to declare their alleigance to the right-wingers by bringing God into politics. She saw token Muslim politicians puffing up their chests and calmly informing journalists that the Muslims of India are now beginning to realise that the right-wing is the only political segment that truly cares for them. She saw ugly sloganeering that involved bare-faced lying which people ended up believing just because it was repeated so many times. She was alarmed about people bowing down before the god-like politicians. But this was what was wrong with the whole Indian democracy - the politicians are the ones who are supposed to be bowing down to the people, not the other way round! What is wrong with the citizens of this country?!


Life cornered me that day, there was no escape. I'd been out at the protest all day. I'd been sent there by the input desk to keep an eye out for anything strange. It wasn't so hot that early in the morning, but it got hot soon. I was out there until around 3pm, and I couldn't leave any earlier because the desk wanted me out there even though nothing was happening, even though I felt like I'd been getting sicker and sicker and sicker because of being run ragged over the past week. There were so many reporters there from so many channels and newspapers, most of them hanging out, some of them changing shifts with those who had been there from the previous day. I envied the people with the OB vans, they were sitting somewhere where it was cool and dark.

I did enjoy walking around and talking to people for the first few hours. I wondered where the big politicians were. This was supposed to be a continous protest. Many of the followers had stayed out there overnight. I then found out that the star politicians had all gone home at night. They returned towards noon, freshly showered and well-rested and well-fed, unlike their followers who had stayed out at the protest overnight in the horrible heat. I wondered what the point of such a protest was. Napoleon I've heard used to sleep out on the battlefield with his soldiers. He used to wrap his cloak around himself and go off to sleep.

Everything was sleepy and slow until when the big politicians started showing up. That's when I heard one man calling someone on the phone and telling him to get some supporters out there because they seemed to have more police than party workers around. By then most of the reporters were sitting under the shamiana where all the video cameras had been set up from the day before. You didn't want to talk to a cameraperson that day. They were all very angry and snappy. And I totally understood how they felt too. Like they were wasting their time.


I noticed a lot of things I wished the reporters would bring up instead of just trying to get bites from the famous people. Someone told me that the women who were sitting up on the stage behind the famous politicians slept with them for important political positions. What! But these were aunties in bhhartiya naari saris and bindis and everything! Someone pointed out another famous politician up there who was known to run various transport companies as a front for an illegal money-making setup. All the reporters knew about him but couldn't prove anything because that politician used to keep his trail clean. But, but, but these were the politicians who were howling about corruption in the Congress. They had been using some really tacky low-brow slogans too - "Sonia jiski mummy hai, woh party nikammi hai." I mean, are you serious, this wasn't even intelligent, it was like some twisted version of kindergarten. At some point a train of people marched into the shamiana waving their fists in the air in support of the BJP. "They are hired," I was told.

It grew hotter. Noisier. More crowded. People were streaming in from the poorest parts of town with their families and approaching the top politicians where they sat on the stage with their arms folded and chins tilted upwards. The people touched the feet of their leaders. It was blind respect, something bordering worship.

The loudspeakers had been playing loud patriotic music the whole time. The leaders were sloganeering along with the music. For hours. 6am. 7am. 8am. 9am. 10am. 11am. 12pm. 1pm. 2pm. 3pm. My head had started hurting, but I had nowhere to go. I had been rotating between the same set of clothes every few days, I wore cheap black flip-flops on my feet. The sun was so bright and hot, my skin had started burning. The skin on my feet was pricking, but there was hardly any place were there was real shade in the severely overcrowded shamiana. There must've been around 100-200 people around, moving, sweating, talking, cheering, swaying to the songs on the loudspeaker that had started hurting my ears. The songs kept saying that India was great and that one's life had no meaning if it wasn't spent in service to one's nation. They said that India was the best country in the world. But it was not! There were rodents in hospitals, no city had a regular water supply, power shortages were common, the rich exploited the poor, and charismatic people made money off of the emotions of everyone else. Why did the songs have to be so loud, I felt like I was being programmed, like everyone was being programmed. I saw 1 token man with a Muslim cap and a black beard and baleful eyes sitting in the crowd with the party supporters. I don't think he was Muslim at all.

One of NDTV's reporters nudged me along to go stand next to LK Advani, the grand-daddy of the BJP. An anchor from CNN-IBN was speaking to him then. I stood next to where he sat. I can't remember what he was saying. I couldn't believe I was standing 2 inches away from the man that I had grown up seeing only in magazines or in newspapers overseas, the man whom the Muslims of India hated and feared, one of the men who have been named in riots that have resulted in the deaths of Muslims in Ayodhya, one of the men I grew up learning to fear. He was a lot smaller than I'd expected. Just an old man. Meticulously groomed, dressed very, very clean. Somebody I might've thought was neat and clean and educated if I had been someone else. He was just another human being - could've been my uncle, my teacher, my grandfather. He was just another person. How could someone so normal - educated even - do the things he had been accused of? Did he never think about the people who had died because of irresponsible politics, did he never think about someone like me, hoards of young people whose lives, identities were shaped by the words people like him uttered and the commands they issued?

I found a space under the tripods where the camerapeople still stood. I wanted water, I wanted to eat. They had been handing out little sealed cups of water which were hot as tea. My feet were still burning. I felt dirty and pathetic, like a little animal. It was so noisy and crowded. The NDTV reporter I had been shadowing had stepped away for a minute. I watched the circus play out before me from under the shadow of the tripods. Why was this not bothering anyone? Why were all the reporters simply telling the people at home about what they could see but not what they could not see? Isn't a journalist supposed to think, analyse, see through things? Suddenly an old man with his limbs in casts was carried onto the stage and almost placed in the laps of the big politicians who cradled him like a baby. They gave the old man a mike. He had been one of those who had been injured at the lathi charge at Baba Ramdev's demonstration a few days before. Everyone oohed and aahed as the man spoke about the horrible Congress party and then started calling out for Ram Rajya. Someone began to hand out brochures in Hindi about the Ram Janmbhhoomi while another man held up a large collage of newspaper articles that showed how evil the Congress was. People flocked towards the video cameras, eager to show their faces on international TV. One man standing in front of me cried out to the camera about how God had sent Baba Ramdev to the people and how the Congress had condemned the nation in the eyes of God because it had physically attacked God's messenger. And the politicians on the loudspeakers kept shouting about how the lathi charge had been the Jalianwala Bagh massacre, and that the Congress party was even worse than the British Raj. People cheered them along. And at least 2/3rds of the people there, including the people sloganeering, knew that the Jalianwala Bagh comparison was a complete lie. But they still said it!

A tear ran down my cheek. And another. And another. I wanted to get away. I felt like I was the only sane person in a madhouse.

The NDTV reporter showed up and saw me looking like a deer caught in headlights under those tripods. She took me away from the crowd and the noise and talked to me. I didn't know what to say. She had told me a while ago that economists are always excited about how India will have the greatest number of young people in the world because that metric predicts development. But then, she had said that 60% of those young Indian people were unskilled labour and would be dependent on the other 40% who would then exploit them. She had earlier pointed out to me the particularly anti-Muslim BJP politicians and how over the years the right-wing had tried to erase the contributions of Indian Muslims from Indian textbooks and had skewed how they were represented. I was told that they had even de-Islamised spoken Hindi by discouraging the use of any Urdu words. They had tried to erase...me.

The reporter was a kind one. She asked me if I was okay. I had so many thoughts racing through me. I was thinking about 9/11 and how people had become viscious and terrible in America and in the world about Islam, how it had effected me for years, how I had tried to understand exactly what was happening and why. I told her that I just couldn't believe how easily a lie could be made into truth if it was repeated enough times. I had seen young people subscribing to right-wing ideologies everywhere in the world. Educated, intelligent people. I hadn't been able to understand them, but I had thought there might've been some truth to what they believed in. But then, who knows what's true, really? A few days ago I had asked another reporter why he never felt terrible about the things that went unreported about Baba Ramdev and how people like him exploited other people's misfortunes and troubles and dreams and feelings for money and power. "I can't help it if people think he's Jesus," I was told.

Jesus. God. Angels. Prophets. Crusades. Burning towers. Oil. Beards. Veils. Churches. The Pope. "Go back to the Middle East!" If a lie can be written in books and passed off as truth, if lies can be passed down in families, in entire communities, if these people then grow up to lead countries and cause the death of innocent people, if not even what one's own parents teach us about the nature of the universe may be true, if entire countries and movements and governments and national and regional identities can be based on a lie, if it has been happening for eons...

Some poor old people stopped by where the reporter and I were sitting. They had wanted to know if I was alright. I honestly didn't know what to say to them because I couldn't trust anyone around the place. The reporter simplified things for them and told them that I had grown up overseas and was feeling upset about the way things really were in India. The poor people immediately felt bad for me. "Dekho, bitiya," they said to me, "see how cruel the Congress is, they beat us at the lathi charge where we were following the great Baba Ramdev..."

I didn't even say anything. I just shook my head, my tears leaving dirty sticky trails across my sunburned red face. It was not the Congress that was making me cry or the BJP. Or Al-Qaeda or the Republican party or the Taleban. It was them. People who never questioned what they were told and wouldn't get it even if they saw it in front of them crying on a hot June day. Their leaders didn't care about them. Their leaders cared about no one. Leaders need followers. Everywhere in the world. In life you're either a king or a pawn, Napoleon is supposed to have said, an emperor or a fool. Who knows what's real anymore, who knows what really goes on behind the curtains of power. Who knows who wrote history. Who knew that this new world I was suddenly seeing - a world where people lied and didn't bat an eyelid about the staggering human consequences of their lies - could be so simple in its ugliness. And the only person who'd been missing from the whole scene throughout history? God.

Thursday, April 26, 2012

A Letter to the Departed

Hi Nana Mian,


I made a cover yesterday for a book that Amma is going to get published soon. She's going to compile all the things your peers and others had written about you after you had passed away. That was 22 years ago. I was 9 that year, in Muscat where I lived far away from where you lived in Lucknow. I remember finding out about your passing by overhearing Amma when she heard about it over the phone. I had heard her crying, but I hadn't known why she had been crying. I knew somebody had died though, because that's how we used to find out about these things in those days. I used to get nervous everytime the phone would ring and it turned out to be an international call. I'd only feel better if my mother hadn't started howling in the scary choppy way she used to within one minute of the call. I knew someone had died that time also, but I had only figured out who it was when Amma called Abbu at his office and told the secretary in her chunky English that her father had died. But I had almost known that it had been you. She had cried like that when she'd found out about Kakko Ammi passing away before. That's how I used to find out if someone had died. No one would tell me these things directly; it'd be assumed that I'd heard from all the crying.

Amma was still on the phone with Abbu, and I'd gone and locked myself in the brown coloured bathroom the way I did when I needed space or quiet. I'd sat on the edge of the bathtub and thought about things. Then I'd stood on my toes and looked into the mirror above the sink and made the face my mother had made while she had been crying. I wondered about my 3-year-old cousin who used to live with you in Lucknow. I wondered about how he was feeling. He used to dangle around your neck all the time and laugh, laugh, laugh. You used to chuckle about that. He doesn't remember you very much now.

I haven't seen you in 22 years, Nana Mian, but I remember you like it had been just yesterday. You were my favourite person in the world because your eyes would glimmer when you saw me and you wouldn't mind if I knocked you down when I flung myself at you. You were the first person I wanted to see everytime we'd visit Lucknow for the summer. We'd arrive to stay at Abbu's family's house, but I'd race out of there while our luggage was still being pulled in and dash off to your house two doors down so I could see you. You were always glad to see me. You always smiled when you looked at me. I remember your strong shiny teeth and dark lips under very white beard. I thought you looked like Santa Claus, and for a long time I thought the Prophet Muhammad must've looked like you. What does a kid have to do with a man in his 60s anyway? We didn't use to talk about anything really, but I just wanted to be around you all the time because...because I don't know, you always smiled at me. It made me smile back, and it made me feel nice, like I had been seen. Most people ignore you when you're a kid, many just want you out of their way. Some people are even mean to you because you are small and vulnerable. When you looked at me, you actually saw me. Your eyes would be fixed on my face, and you would be smiling at me. Me. It was so nice. You were my favourite person in the whole world.

I don't know if you saw the book cover I made yesterday. I made 3, and I put your pictures on them. Amma liked the second one because you can see where you wrote 'Azeezaz-Jaan Farzana beti' on an aerogramme in the background. I didn't know when I was 3 or 5 or 7 or 9 and smiling at you that when I was 30 I would put you on a book cover.

Do you remember, Nana Mian, that one time you bought me a bird made of thin metal sheets whose wings I could make flap? And that one time you were crouched in the old stone washroom doing your wuzu for the namaaz? I was standing by the grey wooden doorframe and watching you wash your dentures. You'd noticed me and had smiled and popped the dentures back into your mouth with a wet click, and it had made me laugh. It's still making me laugh. Your green parrot with the red beak that every single household in India seems to have, the one that in every family is called Mithoo, was hanging upside down in his little cage nearby. You had taught him to say my name. Not Khadija, but Asma, my other name.

You were in your study a lot, the room where nobody, especially children, were allowed to disturb you. I don't know if that's a rule you'd made or just something the other grownups had made up for you. I'd peeked into your room a few times. The doors were dark brown and metallic looking, but I could peek through the keyhole. I'd seen a quiet, dark room with light streaming in through the blue, green, yellow, and red glass on the windows. The light was blue, green, yellow, and red. I'd never seen anything like it. It looked like magic. Amma had caught me once looking through the keyhole and was about to drag me away, but you'd heard her and had me let in. You'd been smiling at me. When you're little, nobody can seem bigger and more frightening than your parents, so I thought it was amazing that my mother was rendered helpless with one word from you. Nobody ever stood up for me, so you must've been someone amazing to rescue me from my parents and to let me in to the place that nobody else was allowed. I don't think I spent too long in your room, but it was incredible. I never even saw any grownups, not even my parents, enter your study, it was like some kind of sacred space that people spoke of in hushed tones. But there I was, in that dark room with the colourful shafts of light. I saw some furniture in the parts of the room where the light was dark brown - a sofa, a table, a bookshelf? The room seemed cooler than the rest of Lucknow, less noisy. I didn't know where to stand or what to do. Nobody ever entered that room, so I had established some kind of precedent. That room is someone else's living room now, and it's like you were never there and like I had never stepped in that one day long ago. Sometimes when I'm in that room with other people, I look at the spot where I had stood many years ago and where you had sat at your desk and smiled at me. You're not there anymore. A few years after you'd died, I had been given some spare fabric to help a cousin who had moved to your house with her school project. One of the pieces of cloth had been from your sofa. Narrow orange and white stripes. They always reminded me of sivain. It's like you had never been there, like coloured light had never streamed in through those coloured windows. I have never seen the light from those windows ever look that way again.

I'd seen bits of you here and there in your old house over the years since then. I once saw your old passport lying on the ground in an old room where all your manuscripts had been stuffed. Some were original works, and some were translations from Arabic and Persian, some were unfinished because you had passed away while you were working on them. It was bunches and bunches of yellow paper cruelly stuffed in the shelves that were built high up on the walls all around the room. I had heard that the room on the terrace was full of your work too. You worked like a man possessed, your mind was always ticking. I think I know something about that. I had picked up your passport and looked at your photograph. I had felt bad that your passport had been lying on the ground like that. I had been in my early 20s then.

Nana Mian, the world changed after you died, you know? No one smiled at me the way you used to. My parents were always shouting at me or fighting with each other. In Lucknow, your parrot stopped speaking. People set him out of his cage but he'd just sit around in some high-up corner and not fly away. He always looked angry and withdrawn. A cat got to him and killed him one day, and that was that.

I once had a dream when I was little that I'd rushed to your house from Abbu's house two doors away, but when I entered your house, it was dark. Like an old ruin. No one was there. It looked like no one had ever been there. I called out for Amma but no one answered my calls. Your house had felt like it was part of some other world away from this one where there are sounds and colours and people.

I don't know if you have seen me all this time, Nana Mian, and I understand if you haven't, because I sometimes wonder if God even did. I wonder if God exists even. Things have been difficult. The world isn't what it used to be in your time. When you were alive, people used to invest in people. Now people invest in things they can buy, and they are lonelier than ever. They treat objects like people and people like objects. Maybe being a Muslim back then meant being educated and passionate and driven and ethical. Top class. I don't think you would recognise the Muslims of today. Do you know that when I moved to India for one-and-a-half years that most people assumed that I was an expert in Urdu poetry? Even the young Muslims would approach me in that regard, as if that's the only thing we were. We have been caricaturised, Nana Mian. I don't know by whom, but we spend our lives trying to match those caricatures as perfectly as we can. It was scary to see how the young Muslims of India struggle to fit in into the mainstream, and nomatter the world they choose to live in, they feel guilty all the time. The young Muslims force themselves to have an interest in Urdu poetry and to speak Urdu even if it isn't their mother tongue. That's what being a Muslim has become in India. That and Sufi music. The Bollywood Muslim. What has happened to the Muslims I have seen, the ones who used to be intellectuals and used to stay aware of the world and used to have class, where have those Muslims gone? I don't know these Muslims who live in the ghettos, these young Muslims who don't know how to reconcile their heritage with the strange new Islam of veils and poor morale and self-censorship and authoritarianism. I always thought that being a Muslim meant being a paragon of ethics, integrity, justice, and equality. I still think it's about spiritual independence and breaking free from the shackles that people live in and die in. I think it's about the pursuit of rational thought and the spirit of inquiry and individual dignity. Revolution, freedom from superstition, equality for all. Defiance, if required. These silly grinning poets, this is not Islam. The poetry of Islam is fiery and inspiring, not insipid and commercial. Fine divine inspiration, not cheap libidinous couplets.


Nana Mian, I only knew you as the smiling white figure who would play with me, but over the years I learned in bits and pieces that you had been much more. You had been a journalist, a freedom fighter, a mufti, a professor, a writer, a translator, a real intellectual. I learned that you had been a man of integrity whose peers had included Gandhiji and Jawaharlal Nehru. I learned that you had believed in the power of the pen and had been disheartened when politics took over the newspapers you had worked for. You had refused to parade around the Prime Minister as a token of the progressive Indian Muslim. You had turned down a Padma Shri award because the honours of a government that didn't live up to its promises to the Muslim community didn't meant anything to you. I spent a year in Indian journalism, Nana Mian, maybe you knew that because I'd dreamt of you my first week there. I'd dreamt that I was running towards a burning pair of towers that had had planes crash into them. I was running towards those towers that the crowd I was in was running away from because my old photographs of you and that old life were in those towers. Then I'd felt someone put their hand on my head, and I'd turned up to see that it had been you. I'd woken up from that dream, still feeling your hand on my head. I'd dreamt of you my first week in India, but after a few days I realised that I couldn't feel you in the general Indian air anymore. You had really gone. Then the rest of the year I realised that the old journalists I had seen - you and your friends - those were not the kind of people in Indian journalism today. I didn't like most of these people that I saw. I thought journalists were supposed to be the intellectual elite. These were not. None of these people were even close to the classy people you and your peers were. But then, the standard of everything in the world has fallen nowadays. It's a disposable kind of world I live in, Nana Mian. Songs and books come and go without making any real sort of impact on anybody. Just about anyone can become famous if they know the right people or behave badly enough. People's speech has become harsh, it's hard to find any sort of real grace in anybody these days. Men who behave like crude cavemen are called smart, and the women who behave like these men are called success-oriented. The world has lost much of its finery, Nana Mian, I wonder what you would have thought of it all.


Nana Mian, I have often seen people trying to be like you because you are still known amongst your peers and the younger people in your professional field as a singular man. I think the correct way to be like you is to not try to be like anybody but to be driven from inside. You were a man of your time, and you did what you thought was best in the circumstances you were in. I often see people quoting you and trying to sound like you but it seems so out of context now. I think that if they really wanted to be like you, then they would not try to be like you at all. They would simply live in their own time and make their own decisions at every crossroad they ever came upon.


I am a woman of my time. It is not the same world my parents grew up in, which was similar to the world you were from. The world has changed very drastically in the past 20 years, and my parents were not able to help me adjust to it at all. I think you would've listened to me, though, at least I hope you would've. I sure could have used your help many times in the past. Maybe you would've listened to me without brushing me under the carpet like everyone else did. Or maybe you would've behaved like them too. I don't know, but I've wanted to talk to you many times over the years about the world I was seeing and the way it is acceptable to behave now. Things don't even mean the same today as they did before. I've often felt like an orphan in my own family. I never saw much of myself in my father or in my mother. I was too impetuous and too straightforward, and I felt things too intensely. I have walked away from things that other people were dying for because I just cannot compromise on my integrity. I cannot work for people who disrespect me or don't believe in the principles that I live by. I have spent my life thinking there was something wrong with me because I could never shut my eyes when people were being unethical or cruel. Everyone else seemed to always be okay with these things, but it was always me who would call things into question and feel disturbed or even torn in such situations. I can't just shut my eyes and go with things when someone's explanation just doesn't add up. Why couldn't I be like everyone else in
this rat race that the world has become? What was wrong with me that I was always having trouble blindly accepting things the way they were, why was I never satisfied with the choices that were given to me? So when I heard today that you turned down the Padma Shri or refused to become one of the Prime Minister's clingy yes-men because it conflicted with what you believed in, I felt so relieved because I realised that there had been at least one other person in this world that had rocked the boat. Like me. It's not been easy being so rigid about these things, Nana Mian, and I don't want to be this way sometimes. I never even realised that the way I was was undesirable until I realised that it put me out of step with this world. I really always wanted to be like everybody else, because society has a way of punishing you in various forms when you think too much or ask too many questions or don't discriminate between the people and the institutions you question. I don't want to be this way because I have seen that the people who aren't like this lead an easier life. I tried to fix myself over the years, but I couldn't. I can't just stop thinking, and if I stop speaking and just go along with everything, something inside me starts punishing me in ways more horrific than society could ever come up with. I thought I was doomed; nobody especially likes a girl who's like that. Someone had once told me in all seriousness that I ought to stop being intelligent because no one would want to marry me. I just didn't understand what the matter was with me. But today I heard the things you had said in your professional and personal life and the way you had behaved, and it sounded exactly like the things that had come out of me. So I don't feel guilty anymore about being the way that I am. I don't feel orphaned anymore because I finally feel like I am like somebody in my family.


I hope you liked the book covers I made, Nana Mian. Thank you for your legacy. You weren't ever very wealthy because you never sold yourself out, but your children loved you very much and still love you even now that they're all in their 50s and 60s and some have their own grandchildren. You've been gone over 20 years and people still swear by you. Someone still remembers how one cold foggy Lucknow night you gave your expensive shawl to a man shivering on the street. Your children never felt like they were poor. All they remember is how they'd all run up to you and hang on to your various limbs whenever you came home from work. And how much you loved that. I've dreamt of you so many times over the years, and it's always been with you watching me from afar and running away whenever you saw that I'd noticed you. Over time my dreams changed to my running to catch you but never actually being successful with it. Then I progressed to actually catching you. And then you came to me yourself in my dream with the two flaming towers.

Thank you for those 9 summers. And the dreams.

Your granddaughter,

Asma